{"id":5668,"date":"2009-11-25T12:52:01","date_gmt":"2009-11-25T11:52:01","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=5668"},"modified":"2016-12-11T18:43:17","modified_gmt":"2016-12-11T17:43:17","slug":"prueba-de-accion-sobre-la-erotica-torpe-i-eva-perez","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2009\/11\/25\/prueba-de-accion-sobre-la-erotica-torpe-i-eva-perez\/","title":{"rendered":"PRUEBA DE ACCI\u00d3N SOBRE LA ER\u00d3TICA TORPE I- Eva P\u00e9rez."},"content":{"rendered":"<p><!-- vimeo error: not a vimeo video --><\/p>\n<p><strong>PRUEBA DE ACCI\u00d3N SOBRE LA ER\u00d3TICA TORPE I<\/strong> &#8211; Fragmentos de la acci\u00f3n de Eva Perez en La Muga Caula &#8211; 2010.<\/p>\n<p>Dentro de una investigaci\u00f3n acerca de lo torpe como motor de cambio social, la acci\u00f3n que presento forma parte de una serie que aborda la tem\u00e1tica de lo torpe y lo rid\u00edculo asociado a la er\u00f3tica que se ha visto tradicionalmente vinculada a lo femenino. La debilidad y el dolor que suscitan placer. Mi intenci\u00f3n es despojar estos mitos de su incuestionable existencia al hacerlos visibles.<\/p>\n<p><strong>Sobre la autora:<\/strong><\/p>\n<p>Eva P\u00e9rez (Campanar, 1980)-\u00a0 Artista perf\u00f3rmer.\u00a0Miembro activo de la Asociaci\u00f3n Cultural Sinberifora. Ha participado en encuentros como Portes Obertes en el Cabanyal , y festivales como Nits d\u00b4Aielo i Art , Influxus en Malpartida de C\u00e1ceres, MAD 09 &#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PRUEBA DE ACCI\u00d3N SOBRE LA ER\u00d3TICA TORPE I &#8211; Fragmentos de la acci\u00f3n de Eva Perez en La Muga Caula &#8211; 2010. Dentro de una investigaci\u00f3n acerca de lo torpe como motor de cambio social, la acci\u00f3n que presento forma parte de una serie que [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6007,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[5],"tags":[69,189,103,127,95,188,197,165,78,163,166,196,199,77,186,183,184,79,87,201,164,66,187,185,192,204,198,109,190,141,91,202,76,195,200,194,203,191,193],"class_list":["post-5668","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documento-accion","tag-accion","tag-accion-art","tag-animacion-experimental","tag-arte-accion","tag-arte-experimental","tag-arte-performance","tag-audovisual-creation","tag-call-for-artists","tag-cataluna","tag-convocatoria-abierta","tag-convocatoria-para-artistas","tag-creacion-audiovisual","tag-espana","tag-eva-perez","tag-experimental-animation","tag-experimental-art","tag-experimental-poetry","tag-la-muga-caula","tag-labolsa","tag-muestra-de-video","tag-open-call","tag-performance","tag-performance-art","tag-poesia-experimental","tag-revistalabolsa","tag-seleccionados-labolsa","tag-spain","tag-video-accion","tag-video-action","tag-video-art","tag-video-arte","tag-video-boletin","tag-video-creacion","tag-video-creation","tag-video-exhibition","tag-video-magazine","tag-video-newsletter","tag-video-performance","tag-video-revista","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2016\/11\/604537008_640.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1tq","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=5668"}],"version-history":[{"count":1,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5668\/revisions"}],"predecessor-version":[{"id":5669,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5668\/revisions\/5669"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/6007"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=5668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=5668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=5668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}