{"id":5680,"date":"2008-11-25T14:38:01","date_gmt":"2008-11-25T13:38:01","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=5680"},"modified":"2016-12-10T21:11:15","modified_gmt":"2016-12-10T20:11:15","slug":"track-tak-left-and-rotation","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2008\/11\/25\/track-tak-left-and-rotation\/","title":{"rendered":"TRACK TAK &#8211; Left and Rotation"},"content":{"rendered":"<p><!-- vimeo error: not a vimeo video --><br \/>\n<strong>TRACK TAK<\/strong> (1\u00b425\u201d) (v\u00eddeo animaci\u00f3n, 2007)- Cortometraje de Left and Rotation desarrollado para el programa art\u00edstico sueco KLUSTER del canal Oppr\u00e4 Kanalen con las premisas tem\u00e1ticas de MEC\u00c1NICA E HIELO.<\/p>\n<p><strong>Sobre los autores:<\/strong><\/p>\n<p><strong>Left and Rotation<\/strong>. Colectivo art\u00edstico madrile\u00f1o que trabaja principalmente en el \u00e1mbito de las ideas de transformaci\u00f3n social, ya sean desarrolladas en video, sonido, instalaciones, arte de guerrilla o intervenciones urbanas.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TRACK TAK (1\u00b425\u201d) (v\u00eddeo animaci\u00f3n, 2007)- Cortometraje de Left and Rotation desarrollado para el programa art\u00edstico sueco KLUSTER del canal Oppr\u00e4 Kanalen con las premisas tem\u00e1ticas de MEC\u00c1NICA E HIELO. Sobre los autores: Left and Rotation. Colectivo art\u00edstico madrile\u00f1o que trabaja principalmente en el \u00e1mbito [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6012,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[8],"tags":[82,83,231,85,84],"class_list":["post-5680","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animacion-experimental","tag-kluster","tag-left-and-rotation","tag-lisboa","tag-madrid","tag-video-animacion","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2016\/11\/604619574_295x166.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1tC","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5680","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=5680"}],"version-history":[{"count":2,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5680\/revisions"}],"predecessor-version":[{"id":5684,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5680\/revisions\/5684"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/6012"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=5680"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=5680"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=5680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}