{"id":5700,"date":"2006-11-27T20:04:53","date_gmt":"2006-11-27T19:04:53","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=5700"},"modified":"2016-12-09T19:29:34","modified_gmt":"2016-12-09T18:29:34","slug":"maya-juan-alcon","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2006\/11\/27\/maya-juan-alcon\/","title":{"rendered":"MAYA , la creaci\u00f3n de la pantalla &#8211; Juan Alc\u00f3n"},"content":{"rendered":"<p><strong>MAYA<\/strong> -Video experimental con im\u00e1genes reinterpretadas de cl\u00e1sicos cinematogr\u00e1ficos. Juan Alc\u00f3n nos propone en 2001 su idea de la creaci\u00f3n de la pantalla, con apropiaci\u00f3n de im\u00e1genes de Buster Keaton y sonido elaborado a partir de fragmentos manipulados de la pieza AGOROMO de teatro NOH japon\u00e9s.<\/p>\n<p><strong>Sobre el Autor:<\/strong><\/p>\n<p><span class=\"st\">JUAN ALC\u00d3N ALEGRE -ANJ\u00fa- Madrid,1959.<\/span><\/p>\n<p>Artista que trabaja en la fusi\u00f3n y experimentaci\u00f3n de lenguajes art\u00edsticos en diferentes g\u00e9neros audiovisuales: Videocreaci\u00f3n, videoinstalaci\u00f3n, cine experimental, proyectos colaborativos&#8230;<span lang=\"es\">Su inter\u00e9s por la integraci\u00f3n entre arte y tecnolog\u00eda lo lleva a trabajar como profesor de Medios audiovisuales y en 1998 crea el proyecto ANJ\u00fa como plataforma para su trabajo en video y poes\u00eda visual.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>MAYA -Video experimental con im\u00e1genes reinterpretadas de cl\u00e1sicos cinematogr\u00e1ficos. Juan Alc\u00f3n nos propone en 2001 su idea de la creaci\u00f3n de la pantalla, con apropiaci\u00f3n de im\u00e1genes de Buster Keaton y sonido elaborado a partir de fragmentos manipulados de la pieza AGOROMO de teatro NOH [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5990,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[103,197,89,96,87,85,91],"class_list":["post-5700","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video-experimental","tag-animacion-experimental","tag-audovisual-creation","tag-experimental","tag-juan-alcon","tag-labolsa","tag-madrid","tag-video-arte","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2016\/11\/604659526_640.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1tW","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5700","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=5700"}],"version-history":[{"count":6,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5700\/revisions"}],"predecessor-version":[{"id":5908,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5700\/revisions\/5908"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/5990"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=5700"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=5700"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=5700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}