{"id":5708,"date":"2006-11-27T21:01:32","date_gmt":"2006-11-27T20:01:32","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=5708"},"modified":"2016-12-09T20:00:41","modified_gmt":"2016-12-09T19:00:41","slug":"mar-de-los-humores-juan-alcon","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2006\/11\/27\/mar-de-los-humores-juan-alcon\/","title":{"rendered":"MAR DE LOS HUMORES &#8211; Juan Alc\u00f3n"},"content":{"rendered":"<p><strong>MAR DE LOS HUMORES<\/strong> -Video experimental donde Juan Alc\u00f3n juega con el intercambio de sensaciones y significados convirtiendo en poes\u00eda un conocido efecto visual a trav\u00e9s de magistrales juegos r\u00edtmicos.<\/p>\n<p><strong>Sobre el Autor:<\/strong><\/p>\n<p><span class=\"st\">JUAN ALC\u00d3N ALEGRE -ANJ\u00fa- Madrid,1959.<\/span><\/p>\n<p>Artista que trabaja en la fusi\u00f3n y experimentaci\u00f3n de lenguajes art\u00edsticos en diferentes g\u00e9neros audiovisuales: Videocreaci\u00f3n, videoinstalaci\u00f3n, cine experimental, proyectos colaborativos&#8230;<span lang=\"es\">Su inter\u00e9s por la integraci\u00f3n entre arte y tecnolog\u00eda lo lleva a trabajar como profesor de Medios audiovisuales y en 1998 crea el proyecto ANJ\u00fa como plataforma para su trabajo en video y poes\u00eda visual.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>MAR DE LOS HUMORES -Video experimental donde Juan Alc\u00f3n juega con el intercambio de sensaciones y significados convirtiendo en poes\u00eda un conocido efecto visual a trav\u00e9s de magistrales juegos r\u00edtmicos. Sobre el Autor: JUAN ALC\u00d3N ALEGRE -ANJ\u00fa- Madrid,1959. Artista que trabaja en la fusi\u00f3n y [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5999,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[96,87,85,91,228],"class_list":["post-5708","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video-experimental","tag-juan-alcon","tag-labolsa","tag-madrid","tag-video-arte","tag-video-experimental","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2016\/11\/604660312_640.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1u4","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5708","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=5708"}],"version-history":[{"count":2,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5708\/revisions"}],"predecessor-version":[{"id":5712,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5708\/revisions\/5712"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/5999"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=5708"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=5708"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=5708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}