{"id":5727,"date":"2005-11-27T22:11:19","date_gmt":"2005-11-27T21:11:19","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=5727"},"modified":"2016-12-10T11:34:03","modified_gmt":"2016-12-10T10:34:03","slug":"noche-electoral-los-torreznos","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2005\/11\/27\/noche-electoral-los-torreznos\/","title":{"rendered":"NOCHE ELECTORAL -Los Torreznos"},"content":{"rendered":"<p><strong>NOCHE ELECTORAL<\/strong>&#8211; Fragmento del \u00abRecuento de votos\u201d performativo de Los Torreznos en el antiguo Hemiciclo de la Asamblea de Extremadura, diciembre 2005; Dentro de PLENO EXTRAORDINARIO (Primeras Jornadas de Poes\u00eda Experimental Hispano- Portuguesa). Incluye im\u00e1genes grabadas por las antiguas c\u00e1maras del Hemiciclo.<\/p>\n<p><strong>Sobre los autores:<\/strong><\/p>\n<p>LOS TORREZNOS (Madrid) &#8211; D\u00fao formado por Rafael Lamata y Jaime Vallaure, llevan trabajando en los escenarios desde los a\u00f1os noventa. Se definen como \u00abuna herramienta de comunicaci\u00f3n sobre lo social, lo pol\u00edtico y las costumbres m\u00e1s arraigadas\u00bb, y se nutren de \u00abtemas que forman parte de la cotidianeidad m\u00e1s absoluta\u00bb.\u00bbLos Torreznos\u00bb dicen que no siguen un modelo definido, aunque su trabajo se asemeja al cabar\u00e9 y el surrealismo y se nutre tambi\u00e9n de experiencias en el teatro de lo absurdo de los a\u00f1os sesenta y setenta.<\/p>\n<p><a href=\"http:\/\/www.lostorreznos.es\"><strong>www.lostorreznos.es<\/strong><\/a><\/p>\n<p><a href=\"http:\/\/lostorreznos5.blogspot.com.es\/\"><b>http:\/\/lostorreznos5.blogspot.com.es\/<\/b><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>NOCHE ELECTORAL&#8211; Fragmento del \u00abRecuento de votos\u201d performativo de Los Torreznos en el antiguo Hemiciclo de la Asamblea de Extremadura, diciembre 2005; Dentro de PLENO EXTRAORDINARIO (Primeras Jornadas de Poes\u00eda Experimental Hispano- Portuguesa). Incluye im\u00e1genes grabadas por las antiguas c\u00e1maras del Hemiciclo. Sobre los autores: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6000,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[5,59],"tags":[69,189,127,95,188,199,183,87,105,85,66,187,185,192,204,198],"class_list":["post-5727","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documento-accion","category-seleccion-boletines-labolsa","tag-accion","tag-accion-art","tag-arte-accion","tag-arte-experimental","tag-arte-performance","tag-espana","tag-experimental-art","tag-labolsa","tag-los-torreznos","tag-madrid","tag-performance","tag-performance-art","tag-poesia-experimental","tag-revistalabolsa","tag-seleccionados-labolsa","tag-spain","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2016\/11\/604902015_295x166.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1un","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=5727"}],"version-history":[{"count":4,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5727\/revisions"}],"predecessor-version":[{"id":5919,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5727\/revisions\/5919"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/6000"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=5727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=5727"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=5727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}