{"id":5752,"date":"2004-11-29T19:22:07","date_gmt":"2004-11-29T18:22:07","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=5752"},"modified":"2016-12-10T12:07:33","modified_gmt":"2016-12-10T11:07:33","slug":"5752","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2004\/11\/29\/5752\/","title":{"rendered":"GRAFFITI &#8211; Pere Sousa"},"content":{"rendered":"<p>GRAFFITI &#8211; Animaci\u00f3n de la Factor\u00eda Merz Mail (Proyecto editorial de Pere Sousa) . Una mezcla de video experimental y poes\u00eda sonora del siempre genial Pere Sousa.<\/p>\n<p><strong>Sobre el autor<\/strong>: Pere Sousa \u2013 El Pont de Suert (Lleida) , 1955.<\/p>\n<p>En los 90 dirigi\u00f3 y edit\u00f3 la publicaci\u00f3n P.O.BOX, referencia del arte postal en Espa\u00f1a. Cre\u00f3 la Factor\u00eda de Activismo Cultural Merz Mail desde la cual ha promovido diversos encuentros de poes\u00eda experimental, exposiciones de mail art, la edici\u00f3n de publicaciones art\u00edsticas, y compilaciones de poes\u00eda de las vanguardias hist\u00f3ricas, recitales, etc.<\/p>\n<p><a href=\"http:\/\/www.merzmail.net\/\">http:\/\/www.merzmail.net\/<\/a><\/p>\n<p>Actualmente es codirector del Kabaret Obert que desde hace seis a\u00f1os es cita mensual de performes y poetas en Barcelona.<\/p>\n<div class=\"clear\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>GRAFFITI &#8211; Animaci\u00f3n de la Factor\u00eda Merz Mail (Proyecto editorial de Pere Sousa) . Una mezcla de video experimental y poes\u00eda sonora del siempre genial Pere Sousa. Sobre el autor: Pere Sousa \u2013 El Pont de Suert (Lleida) , 1955. En los 90 dirigi\u00f3 y [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6020,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[103,116,87,107,106,91],"class_list":["post-5752","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video-experimental","tag-animacion-experimental","tag-barcelona","tag-labolsa","tag-merz-mail","tag-pere-sousa","tag-video-arte","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2016\/11\/605234220_640.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s87Up8-5752","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=5752"}],"version-history":[{"count":3,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5752\/revisions"}],"predecessor-version":[{"id":5768,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5752\/revisions\/5768"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/6020"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=5752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=5752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=5752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}