{"id":5939,"date":"2015-12-06T08:48:43","date_gmt":"2015-12-06T07:48:43","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=5939"},"modified":"2016-12-09T19:14:41","modified_gmt":"2016-12-09T18:14:41","slug":"flaws-josh-shaffner","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2015\/12\/06\/flaws-josh-shaffner\/","title":{"rendered":"FLAWS &#8211; Josh Shaffner"},"content":{"rendered":"<p><strong>FLAWS<\/strong> &#8211; Animation and Music by Josh Shaffner. Hand drawn animation mostly in-camera, made from a series of 18 drawings.<\/p>\n<p><strong>Sobre el autor:<\/strong><\/p>\n<p>Josh Shaffner is a filmmaker and visual artist originally from Missoula, MT.\u00a0 He currently resides in Los Angeles, California where he awaits &#8216;The Big One&#8217;,\u00a0passing his time with animation and painting.<\/p>\n<p><a href=\"http:\/\/www.joshshaffnerart.com\">http:\/\/www.joshshaffnerart.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>FLAWS &#8211; Animation and Music by Josh Shaffner. Hand drawn animation mostly in-camera, made from a series of 18 drawings. Sobre el autor: Josh Shaffner is a filmmaker and visual artist originally from Missoula, MT.\u00a0 He currently resides in Los Angeles, California where he awaits [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5986,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[61],"tags":[103,186,184,220,185,84,141,76],"class_list":["post-5939","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-videocreacion-en-la-web","tag-animacion-experimental","tag-experimental-animation","tag-experimental-poetry","tag-josh-shaffner","tag-poesia-experimental","tag-video-animacion","tag-video-art","tag-video-creacion","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2015\/12\/578293487_960.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1xN","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=5939"}],"version-history":[{"count":1,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5939\/revisions"}],"predecessor-version":[{"id":5940,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5939\/revisions\/5940"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/5986"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=5939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=5939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=5939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}