{"id":5951,"date":"2001-12-06T18:08:00","date_gmt":"2001-12-06T17:08:00","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=5951"},"modified":"2016-12-09T19:17:59","modified_gmt":"2016-12-09T18:17:59","slug":"anarquia-arturo-portillo","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2001\/12\/06\/anarquia-arturo-portillo\/","title":{"rendered":"ANARQUIA &#8211; Arturo Portillo."},"content":{"rendered":"<div><strong>ANARQU\u00cdA<\/strong> &#8211;\u00a0 Videoacci\u00f3n (Por muy gallina que seas tambi\u00e9n puedes hacer performance).<\/div>\n<div><strong>Sobre el autor:<\/strong><\/div>\n<div>\n<p>\u00a0Arturo Portillo Merino (Medina del Campo, Valladolid, 1963) licenciado en Bellas Artes, profesor en la Escuela de Arte de M\u00e9rida.1980 Primera exposici\u00f3n de instalaciones y m\u00f3viles en la sala Marti y Montso (Valladolid)<\/p>\n<p>1986 Forma en Madrid parte del colectivo \u201cTripleuve\u201d acometiendo acciones pl\u00e1sticas de intervenci\u00f3n urbana, performances e instalaciones.<\/p>\n<p>2006 Publica \u201cNo me cabe en la cabeza (pictopoemas)\u201d en la colecci\u00f3n de poes\u00eda experimental \u201cPINTAN ESPADAS\u201d de la Diputaci\u00f3n de Badajoz.<\/p>\n<p>Colabora en la organizaci\u00f3n del proyecto \u201cLa Bolsa\u201d y sus eventos desde su inicio.<\/p>\n<p>Cuando nada nunca se aleja mucho de la orilla.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>ANARQU\u00cdA &#8211;\u00a0 Videoacci\u00f3n (Por muy gallina que seas tambi\u00e9n puedes hacer performance). Sobre el autor: \u00a0Arturo Portillo Merino (Medina del Campo, Valladolid, 1963) licenciado en Bellas Artes, profesor en la Escuela de Arte de M\u00e9rida.1980 Primera exposici\u00f3n de instalaciones y m\u00f3viles en la sala Marti [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5987,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[7],"tags":[95,216,87,217,215,109,91],"class_list":["post-5951","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-videoacciones","tag-arte-experimental","tag-arturo-portillo","tag-labolsa","tag-revista-labolsa","tag-valladolid","tag-video-accion","tag-video-arte","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2001\/12\/604966815_640.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1xZ","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=5951"}],"version-history":[{"count":4,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5951\/revisions"}],"predecessor-version":[{"id":5988,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5951\/revisions\/5988"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/5987"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=5951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=5951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=5951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}