{"id":5977,"date":"2002-12-09T13:13:50","date_gmt":"2002-12-09T12:13:50","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=5977"},"modified":"2016-12-09T18:53:56","modified_gmt":"2016-12-09T17:53:56","slug":"planisferio-empatico-koke-vega","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2002\/12\/09\/planisferio-empatico-koke-vega\/","title":{"rendered":"PLANISFERIO EMP\u00c1TICO &#8211; Koke Vega"},"content":{"rendered":"<p>PLANISFERIO EMP\u00c1TICO &#8211; Proyecto\/simulaci\u00f3n de una cartograf\u00eda mundial que interact\u00faa para representar con animaciones gr\u00e1ficas los niveles de felicidad o sufrimiento de la gente. El resultado es un \u00abmapamundi\u00bb po\u00e9tico-visual pero en la era de las comunicaciones se convierte en una idea necesaria.<\/p>\n<p><strong>Sobre la autora:<\/strong><\/p>\n<p>KOKE VEGA -Le\u00f3n, 1963.<\/p>\n<p>Dedicada a las artes pl\u00e1sticas, trabaja el formato audiovisual, la instalaci\u00f3n y la performance. Creadora de proyectos de edici\u00f3n y de gesti\u00f3n cultural independiente, entre ellos la revista de acciones y\u00a0 videocreaci\u00f3n LABOLSA.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PLANISFERIO EMP\u00c1TICO &#8211; Proyecto\/simulaci\u00f3n de una cartograf\u00eda mundial que interact\u00faa para representar con animaciones gr\u00e1ficas los niveles de felicidad o sufrimiento de la gente. El resultado es un \u00abmapamundi\u00bb po\u00e9tico-visual pero en la era de las comunicaciones se convierte en una idea necesaria. Sobre la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5978,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[8],"tags":[103,95,197,196,199,186,183,184,98,87,84,141,76],"class_list":["post-5977","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animacion-experimental","tag-animacion-experimental","tag-arte-experimental","tag-audovisual-creation","tag-creacion-audiovisual","tag-espana","tag-experimental-animation","tag-experimental-art","tag-experimental-poetry","tag-koke-vega","tag-labolsa","tag-video-animacion","tag-video-art","tag-video-creacion","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2016\/12\/606529768_640.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1yp","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5977","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=5977"}],"version-history":[{"count":3,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5977\/revisions"}],"predecessor-version":[{"id":5984,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/5977\/revisions\/5984"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/5978"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=5977"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=5977"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=5977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}