{"id":6023,"date":"2002-12-10T12:49:59","date_gmt":"2002-12-10T11:49:59","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=6023"},"modified":"2016-12-10T12:55:19","modified_gmt":"2016-12-10T11:55:19","slug":"el-centro-del-universo-manolo-acedo","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2002\/12\/10\/el-centro-del-universo-manolo-acedo\/","title":{"rendered":"EL CENTRO DEL UNIVERSO &#8211; Manolo Acedo"},"content":{"rendered":"<p><strong>EL CENTRO DEL UNIVERSO<\/strong> nos habla pero no se le entiende: Definitavamente, el medio es el mensaje.<\/p>\n<p><strong>Sobre el autor:<\/strong><\/p>\n<p>MANUEL ACEDO LAVADO, Don Benito (Badajoz) 1974.<\/p>\n<p>Artista polifac\u00e9tico y pluridisciplinar: Ilustrador, fot\u00f3grafo, pintor, dise\u00f1ador, videoartista\u2026que explora incansable nuevas t\u00e9cnicas y enfoques dentro de cada g\u00e9nero, a veces convin\u00e1ndolos para conseguir resultados siempre sorprendentes y diversos.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>EL CENTRO DEL UNIVERSO nos habla pero no se le entiende: Definitavamente, el medio es el mensaje. Sobre el autor: MANUEL ACEDO LAVADO, Don Benito (Badajoz) 1974. Artista polifac\u00e9tico y pluridisciplinar: Ilustrador, fot\u00f3grafo, pintor, dise\u00f1ador, videoartista\u2026que explora incansable nuevas t\u00e9cnicas y enfoques dentro de cada [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6024,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[8],"tags":[199,94,84,91],"class_list":["post-6023","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animacion-experimental","tag-espana","tag-manolo-acedo","tag-video-animacion","tag-video-arte","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2016\/12\/606524083_295x166.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1z9","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=6023"}],"version-history":[{"count":1,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6023\/revisions"}],"predecessor-version":[{"id":6025,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6023\/revisions\/6025"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/6024"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=6023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=6023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=6023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}