{"id":6083,"date":"2008-12-10T20:20:49","date_gmt":"2008-12-10T19:20:49","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=6083"},"modified":"2016-12-11T20:27:06","modified_gmt":"2016-12-11T19:27:06","slug":"music-by-for-against-john-cage-david-moss","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2008\/12\/10\/music-by-for-against-john-cage-david-moss\/","title":{"rendered":"MUSIC BY, FOR &#038; AGAINST JOHN CAGE &#8211; David Moss"},"content":{"rendered":"<p><strong>MUSIC BY, FOR &amp; AGAINST JOHN CAGE<\/strong> &#8211; Interpretaci\u00f3n en el Museo Vostell Malpartida dentro de La X edici\u00f3n del Ciclo de M\u00fasica Contempor\u00e1nea, Septiembre 2008.<\/p>\n<p><strong>Sobre el autor:<\/strong><\/p>\n<p>David Moss (NEW YORK CITY, 1949) &#8211; Autodidacta. Desde 1973, lleva ofrecidos m\u00e1s de 1000 conciertos de percusi\u00f3n\/ voz solista; 3000 conciertos con grupos, colaboradores, teatros y orquestas en el mundo entero.<br \/>\nCompagina su cargo de Director Art\u00edstico en el Institute for Living Voice de Amberes, con experiencias como cantante de \u00f3pera, m\u00fasico experimental, performer, compositor, percusionista, vocalista y organizador de eventos.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MUSIC BY, FOR &amp; AGAINST JOHN CAGE &#8211; Interpretaci\u00f3n en el Museo Vostell Malpartida dentro de La X edici\u00f3n del Ciclo de M\u00fasica Contempor\u00e1nea, Septiembre 2008. Sobre el autor: David Moss (NEW YORK CITY, 1949) &#8211; Autodidacta. Desde 1973, lleva ofrecidos m\u00e1s de 1000 conciertos [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6084,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[5],"tags":[69,252,253,87,251],"class_list":["post-6083","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documento-accion","tag-accion","tag-david-moss","tag-fluxus","tag-labolsa","tag-museo-vostell","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2016\/12\/607317682_640.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1A7","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6083","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=6083"}],"version-history":[{"count":1,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6083\/revisions"}],"predecessor-version":[{"id":6085,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6083\/revisions\/6085"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/6084"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=6083"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=6083"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=6083"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}