{"id":6086,"date":"2008-12-09T20:27:52","date_gmt":"2008-12-09T19:27:52","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=6086"},"modified":"2016-12-11T20:35:09","modified_gmt":"2016-12-11T19:35:09","slug":"explicacion-de-un-concierto-fluxus-ben-vautier","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2008\/12\/09\/explicacion-de-un-concierto-fluxus-ben-vautier\/","title":{"rendered":"EXPLICACI\u00d3N DE UN CONCIERTO FLUXUS &#8211; Ben Vautier"},"content":{"rendered":"<p><strong>EXPLICACI\u00d3N DE UN CONCIERTO FLUXUS<\/strong> &#8211; (Fragmentos) Reinterpretaci\u00f3n de partituras de Robert Watt, George Brecht y el propio Ben, en el museo Vostell de Malpartida, Octubre 2008.<\/p>\n<p><strong>Sobre el autor:<\/strong><\/p>\n<p>Ben Vautier (N\u00e1poles ,1935) &#8211; Agitador p\u00fablico, heredero de Duchamp, Ben es el \u00faltimo artista de vanguardia.<br \/>\nHa convertido su ego en la fuente, la base, el fundamento de su obra. La omnipresencia del lenguaje y de los mensajes lapidarios no tienen que ocultar su trabajo de retratista enloquecido, sus montajes insensatos y el desbarajuste organizado de sus instalaciones.<br \/>\nBen declara : \u00abEn lugar de artista, quiz\u00e1s se deber\u00eda decir pedig\u00fce\u00f1o de gloria, llor\u00f3n, megal\u00f3mano, enfermo mental o angustiado. Si no es<br \/>\nas\u00ed, se es decorador\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>EXPLICACI\u00d3N DE UN CONCIERTO FLUXUS &#8211; (Fragmentos) Reinterpretaci\u00f3n de partituras de Robert Watt, George Brecht y el propio Ben, en el museo Vostell de Malpartida, Octubre 2008. Sobre el autor: Ben Vautier (N\u00e1poles ,1935) &#8211; Agitador p\u00fablico, heredero de Duchamp, Ben es el \u00faltimo artista [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6087,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[5],"tags":[189,254,253,87,251,66],"class_list":["post-6086","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documento-accion","tag-accion-art","tag-ben-vautier","tag-fluxus","tag-labolsa","tag-museo-vostell","tag-performance","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2016\/12\/607319259_640.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1Aa","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6086","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=6086"}],"version-history":[{"count":1,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6086\/revisions"}],"predecessor-version":[{"id":6088,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6086\/revisions\/6088"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/6087"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=6086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=6086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=6086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}