{"id":6097,"date":"2008-10-11T21:00:00","date_gmt":"2008-10-11T19:00:00","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=6097"},"modified":"2016-12-11T21:08:32","modified_gmt":"2016-12-11T20:08:32","slug":"dry-fish-youngsoon-cho","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2008\/10\/11\/dry-fish-youngsoon-cho\/","title":{"rendered":"DRY FISH &#8211; Youngsoon Cho"},"content":{"rendered":"<p><strong>DRY FISH<\/strong> (Documento-acci\u00f3n) &#8211; Grabada en Contenedores\u201909, en el Centro de Las Artes de Sevilla. Hipnotizante acci\u00f3n cr\u00edptica y ritual, en la que Yungsoon invita al p\u00fablico a compartir algunos elementos esc\u00e9nicos, integr\u00e1ndolo en una extra\u00f1a ceremonia pl\u00e1stica.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Sobre la autora:<\/strong><\/p>\n<p>Youngsoon Cho (Corea del Sur, ) &#8211;\u00a0 Proviniente del mundo de la danza, el trabajo perform\u00e1tico de YoungSoon Cho Jaquet gira entorno<br \/>\na la memoria y los or\u00edgenes.<br \/>\nA trav\u00e9s de una cuidada escenograf\u00eda y coreograf\u00eda, cuestiona y descoloca nuestros civilizados esquemas mientras construye v\u00ednculos y fusiones entre el arte asi\u00e1tico y el arte occidental.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DRY FISH (Documento-acci\u00f3n) &#8211; Grabada en Contenedores\u201909, en el Centro de Las Artes de Sevilla. Hipnotizante acci\u00f3n cr\u00edptica y ritual, en la que Yungsoon invita al p\u00fablico a compartir algunos elementos esc\u00e9nicos, integr\u00e1ndolo en una extra\u00f1a ceremonia pl\u00e1stica. &nbsp; Sobre la autora: Youngsoon Cho (Corea [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6098,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[5],"tags":[123,262,66,243,263,261],"class_list":["post-6097","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documento-accion","tag-contenedores","tag-corea-del-sur","tag-performance","tag-sevilla","tag-suiza","tag-youngsoon-cho","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2016\/12\/607333983_640.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1Al","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=6097"}],"version-history":[{"count":1,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6097\/revisions"}],"predecessor-version":[{"id":6099,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6097\/revisions\/6099"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/6098"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=6097"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=6097"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=6097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}