{"id":6121,"date":"2007-12-13T11:51:05","date_gmt":"2007-12-13T10:51:05","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=6121"},"modified":"2016-12-13T12:32:03","modified_gmt":"2016-12-13T11:32:03","slug":"sobre-la-mesa-seiji-shimoda","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2007\/12\/13\/sobre-la-mesa-seiji-shimoda\/","title":{"rendered":"SOBRE LA MESA &#8211; Seiji Shimoda"},"content":{"rendered":"<p><strong>SOBRE LA MESA<\/strong> &#8211; De nuevo la performance oriental cargada de fuerza espiritual e inigualable belleza pl\u00e1stica. \u00abMis performances son siempre sencillas como haikus. Expresan mi pensamiento con materiales simples y cotidianos\u00bb. Grabado en Madrid, encuentro internacional \u00abEL ARTE ES ACCI\u00d3N\u00bb Centro de Arte Reina Sof\u00eda, 2008.<\/p>\n<p><strong>Sobre el autor:<\/strong><\/p>\n<p>SEIJI SHIMODA naci\u00f3 en 1951 en la ciudad de Nagano, Jap\u00f3n.<br \/>\nEs artista de performance, poeta y director organizador del NIPAF (Nippon International Performance Art Festival) desde 1993. Ha realizado performances en Festivales, Museos, Teatros y Centros de Arte en m\u00e1s de 20 pa\u00edses.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SOBRE LA MESA &#8211; De nuevo la performance oriental cargada de fuerza espiritual e inigualable belleza pl\u00e1stica. \u00abMis performances son siempre sencillas como haikus. Expresan mi pensamiento con materiales simples y cotidianos\u00bb. Grabado en Madrid, encuentro internacional \u00abEL ARTE ES ACCI\u00d3N\u00bb Centro de Arte Reina [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6122,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[5],"tags":[276,277,87,85,187,275],"class_list":["post-6121","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documento-accion","tag-centro-de-arte-reina-sofia","tag-japon","tag-labolsa","tag-madrid","tag-performance-art","tag-seiji-shimoda","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2016\/12\/607455712_295x166.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1AJ","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=6121"}],"version-history":[{"count":1,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6121\/revisions"}],"predecessor-version":[{"id":6123,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6121\/revisions\/6123"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/6122"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=6121"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=6121"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=6121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}