{"id":6148,"date":"2008-12-15T13:33:27","date_gmt":"2008-12-15T12:33:27","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=6148"},"modified":"2016-12-15T13:39:27","modified_gmt":"2016-12-15T12:39:27","slug":"my-pigman-maria-canas","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2008\/12\/15\/my-pigman-maria-canas\/","title":{"rendered":"MY PIGMAN &#8211; Maria Ca\u00f1as"},"content":{"rendered":"<p><strong>MY PIGMAN<\/strong> &#8211; Un delirante y excesivo ejercicio metadiscursivo sobre el \u201ccar\u00e1cter porcino\u201d de la informaci\u00f3n actual; es tambi\u00e9n una declaraci\u00f3n de principios: si del cerdo se puede aprovechar todo, de la imagen, sea cual sea su procedencia, tambi\u00e9n.<\/p>\n<p>Edici\u00f3n: Guillermo Garc\u00eda<\/p>\n<p><strong>Sobre la autora<\/strong>:<\/p>\n<p><strong>Maria Ca\u00f1as<\/strong> (SEVILLA, 1972) &#8211; Creadora visual y can\u00edbal audiovisual; Video artista y comisaria de arte; coleccionista y archivera, su capacidad para fagocitar y (re)crear im\u00e1genes no conoce l\u00edmites. Como tampoco los tiene su capacidad creativa que desarrolla en terrenos como el fake, el ensayo audiovisual, el found footage, la fotograf\u00eda o el videoclip, en un fruct\u00edfero ir y venir por los diferentes senderos del audiovisual.<\/p>\n<p><a href=\"http:\/\/www.animalario.tv\/\"><cite class=\"_Rm\">www.animalario.tv\/<\/cite><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>MY PIGMAN &#8211; Un delirante y excesivo ejercicio metadiscursivo sobre el \u201ccar\u00e1cter porcino\u201d de la informaci\u00f3n actual; es tambi\u00e9n una declaraci\u00f3n de principios: si del cerdo se puede aprovechar todo, de la imagen, sea cual sea su procedencia, tambi\u00e9n. Edici\u00f3n: Guillermo Garc\u00eda Sobre la autora: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6149,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[87,284,243,228,285],"class_list":["post-6148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video-experimental","tag-labolsa","tag-maria-canas","tag-sevilla","tag-video-experimental","tag-videoarte","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2016\/12\/608069532_295x166.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1Ba","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=6148"}],"version-history":[{"count":1,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6148\/revisions"}],"predecessor-version":[{"id":6150,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6148\/revisions\/6150"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/6149"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=6148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=6148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=6148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}