{"id":6166,"date":"2006-12-15T20:54:18","date_gmt":"2006-12-15T19:54:18","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=6166"},"modified":"2016-12-15T21:05:25","modified_gmt":"2016-12-15T20:05:25","slug":"accion-pmv-0020907-cb-carlos-llavata","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2006\/12\/15\/accion-pmv-0020907-cb-carlos-llavata\/","title":{"rendered":"ACCI\u00d3N PMV 0020907 CB &#8211; Carlos Llavata"},"content":{"rendered":"<p><strong>ACCI\u00d3N PMV 0020907 CB &#8211;\u00a0<\/strong>\u201cLa emoci\u00f3n, el miedo, las dudas, lo predecible y la sorpresa son algunas de las constantes en las acciones de Carlos Llavata. La p\u00f3lvora, el humo, la violencia y el cuerpo agredido del artista los componentes m\u00e1s habituales. Un artista identificado con su compromiso por ser veraz y con el estudio detallado del tiempo en el que transcurre la acci\u00f3n\u201d.Realizado en INFLUXUS I en el Museo Vostell de Malpartida, C\u00e1ceres (2007).<\/p>\n<p><strong>Sobre el autor:<\/strong><\/p>\n<p><strong>Carlos Llavata<\/strong> &#8211; Valencia, 1964<\/p>\n<p>Se forma entre Valencia, \u00c1msterdam, Manises y San Francisco (EE.UU.). Desde 2003 forma parte del grupo LASALANARANJA de Valencia (<a href=\"http:\/\/www.lasalanaranja.com\">http:\/\/www.lasalanaranja.com<\/a>),con el que realiza proyectos y exposiciones internacionales.<\/p>\n<p>Entre sus exposiciones individuales, cabe destacar las realizadas en 2007:Marte et arte 2nd Fase (arte y artiller\u00eda) Grupo Forja \/ lasalanaranja, Galeria Magatzem d\u00b4art (MAV) Series Cr\u00e1ter (MEA\/260101-43s). Sign Gallery, Fruits 4U2, Groningen, Paises Bajos, 2002. Solo Exposici\u00f3n, monotypos en la galeria la esfera azul de Valencia.<\/p>\n<p>Entre sus m\u00faltiples exposiciones colectivas y performances: Cerco 07, Feria Internacional de cer\u00e1mica contempor\u00e1nea Cerco-acci\u00f3n. Performance El arte y la colera de san dios de barro (Zaragoza), Sonar festival, video screening, Barcelona, \u201cDesafios\u201d Kanazawa Citizen`s Art Center. Jap\u00f3n, \u201cChaos in Groningen\u201d encuentro de galerias, representando a Sign Gallery, accion y video screening. Groningen, Holanda.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ACCI\u00d3N PMV 0020907 CB &#8211;\u00a0\u201cLa emoci\u00f3n, el miedo, las dudas, lo predecible y la sorpresa son algunas de las constantes en las acciones de Carlos Llavata. La p\u00f3lvora, el humo, la violencia y el cuerpo agredido del artista los componentes m\u00e1s habituales. Un artista identificado [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6167,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[5],"tags":[75,293,247,87,264,290,187,288],"class_list":["post-6166","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documento-accion","tag-caceres","tag-carlos-llavata","tag-influxus","tag-labolsa","tag-live-art","tag-museo-vostell-de-malpartida","tag-performance-art","tag-valencia","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2016\/12\/608177589_295x166.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1Bs","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=6166"}],"version-history":[{"count":1,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6166\/revisions"}],"predecessor-version":[{"id":6168,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6166\/revisions\/6168"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/6167"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=6166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=6166"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=6166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}