{"id":6183,"date":"2008-12-21T13:31:21","date_gmt":"2008-12-21T12:31:21","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=6183"},"modified":"2016-12-21T13:39:32","modified_gmt":"2016-12-21T12:39:32","slug":"refluxus-nieves-correa","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2008\/12\/21\/refluxus-nieves-correa\/","title":{"rendered":"REFLUXUS – Nieves Correa"},"content":{"rendered":"

REFLUXUS – Fragmentos de la acci\u00f3n de Nieves Correa en El Museo Vostell de Malpartida (C\u00e1ceres), dentro del encuentro INFLEXUS II, 2009.<\/p>\n

Sobre la autora:<\/strong><\/p>\n

Nieves Correa<\/strong> – Madrid, 1960<\/p>\n

\u00abMe nutro de lo cotidiano como elemento inspirador de mi trabajo, quiz\u00e1s porque no tengo demasiada imaginaci\u00f3n y siempre he tenido los pies bastante bien plantados sobre la tierra. Y esa \u00abcotidianidad\u00bb de mis performances no s\u00f3lo est\u00e1 en lo que digo, nunca me gustaron los mensajes grandilocuentes. Si no tambi\u00e9n en como lo digo: en mi propia presencia, en los espacios que escojo y en los materiales que utilizo. Digamos que a partir de la realidad tangible me gusta construir narraciones diferentes\u00bb<\/p>\n

http:\/\/www.nievescorrea.org\/<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

REFLUXUS – Fragmentos de la acci\u00f3n de Nieves Correa en El Museo Vostell de Malpartida (C\u00e1ceres), dentro del encuentro INFLEXUS II, 2009. Sobre la autora: Nieves Correa – Madrid, 1960 \u00abMe nutro de lo cotidiano como elemento inspirador de mi trabajo, quiz\u00e1s porque no tengo […]<\/p>\n","protected":false},"author":1,"featured_media":6184,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[5],"tags":[69,189,127,247,87,85,295,187],"class_list":["post-6183","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documento-accion","tag-accion","tag-accion-art","tag-arte-accion","tag-influxus","tag-labolsa","tag-madrid","tag-nieves-correa","tag-performance-art","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2016\/12\/609085518_295x166.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1BJ","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=6183"}],"version-history":[{"count":1,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6183\/revisions"}],"predecessor-version":[{"id":6185,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6183\/revisions\/6185"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/6184"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=6183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=6183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=6183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}