{"id":6193,"date":"2006-12-21T14:47:28","date_gmt":"2006-12-21T13:47:28","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=6193"},"modified":"2016-12-21T14:51:28","modified_gmt":"2016-12-21T13:51:28","slug":"sedimento-8-raquel-lara","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2006\/12\/21\/sedimento-8-raquel-lara\/","title":{"rendered":"SEDIMENTO 8 &#8211; Raquel Lara"},"content":{"rendered":"<p><strong>SEDIMENTO<\/strong> &#8211; V\u00eddeo experimental perteneciente a la serie de trabajos de Raquel Lara que tratan el tema de la fragmentaci\u00f3n y el cuestionamiento del orden natural.<\/p>\n<p><strong>Sobre la autora:<\/strong><\/p>\n<p><strong>\u00a0Raquel Lara <\/strong>&#8211; LUXEMBURGO, 1986<br \/>\nLicenciada en Bellas Artes y realizando un Master en Producci\u00f3n art\u00edstica en la Facultad de Bellas Artes de San Carlos de Valencia, no pretende cerrar ning\u00fan campo experimental y se interesa expecialmente en la obra de creaci\u00f3n directa.<br \/>\nQue no ocurra nada es la primera acci\u00f3n.<br \/>\nNada inquieta a la vista del espectador, y parece una escena normal y est\u00e1tica en la que el mundo est\u00e1 al rev\u00e9s y el movimiento solo pertenece a algunos estados.<strong><br \/>\n<\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SEDIMENTO &#8211; V\u00eddeo experimental perteneciente a la serie de trabajos de Raquel Lara que tratan el tema de la fragmentaci\u00f3n y el cuestionamiento del orden natural. Sobre la autora: \u00a0Raquel Lara &#8211; LUXEMBURGO, 1986 Licenciada en Bellas Artes y realizando un Master en Producci\u00f3n art\u00edstica [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6194,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[102,247,87,300,299],"class_list":["post-6193","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video-experimental","tag-extremadura","tag-influxus","tag-labolsa","tag-raquel-lara","tag-videocreacion","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2016\/12\/609095726_640.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1BT","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=6193"}],"version-history":[{"count":1,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6193\/revisions"}],"predecessor-version":[{"id":6195,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6193\/revisions\/6195"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/6194"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=6193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=6193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=6193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}