{"id":6198,"date":"2006-12-21T20:53:51","date_gmt":"2006-12-21T19:53:51","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=6198"},"modified":"2016-12-21T20:58:36","modified_gmt":"2016-12-21T19:58:36","slug":"point-omega-julian-pacomio","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2006\/12\/21\/point-omega-julian-pacomio\/","title":{"rendered":"POINT OMEGA &#8211; Juli\u00e1n Pacomio"},"content":{"rendered":"<p><strong>POINT OMEGA<\/strong> &#8211; Videocollage de Juli\u00e1n Pacomio que recoge fragmentos de Michael Haneke.<br \/>\nFunny Games (Michael Haneke, 1997)+ Piet\u00e0 (Miguel \u00c1ngel, 1498-1499)+ Funny Games U.S (Michael Haneke, 2007).<\/p>\n<p><strong>Sobre el autor:<\/strong><\/p>\n<p><strong>Juli\u00e1n Pacomio &#8211; <\/strong><span class=\"alumno-label\">M\u00e9rida (Badajoz), 1986.<\/span><strong><br \/>\n<\/strong><\/p>\n<p>Licenciado en Bellas Artes por la Universidad de Salamanca en 2009. Disfrut\u00f3 de una beca de intercambio internacional en la Pontificia Universidad Cat\u00f3lica de Chile en 2007.<\/p>\n<p>Coordinador del \u00abworkshop\u00bb \u00abDepicting Khartoum\u00bb junto a los artistas Javier Arbizu y Elena Santos, una colaboraci\u00f3n con AECID, la Embajada de Espa\u00f1a en Sud\u00e1n y el Museo Nacional de Sud\u00e1n. Este trabajo es una plataforma de intercambio, estudio y reflexi\u00f3n del papel del artista respecto a su entorno y su tiempo. \u00abYoung art today will be the ancient art of the future\u00bb es una exposici\u00f3n en el Museo Nacional de Khartoum como uno de los resultados de este \u00abworkshop\u00bb.<\/p>\n<p>Director del grupo de teatro La M\u00e1scara de la Universidad Pontificia de Salamanca en 2009 tras cinco a\u00f1os de permanencia en el grupo. Director de \u00abSurroundings\u00bb, una colaboraci\u00f3n con Medialab-Prado, USAL y la M\u00e1scara Teatro UPSA, estrenado en el programa experimental del Festival Internacional de las Artes de Castilla y Le\u00f3n en 2009.<\/p>\n<p>Ha colaborado en varias ocasiones con la revista La Bolsa de video acci\u00f3n y video creaci\u00f3n, y participado en INFLUXUS II Taller\/Encuentro de Video Acci\u00f3n y Video Creaci\u00f3n en el Museo Vostell Malpartida de C\u00e1ceres realizado por LABOLSA en 2009.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>POINT OMEGA &#8211; Videocollage de Juli\u00e1n Pacomio que recoge fragmentos de Michael Haneke. Funny Games (Michael Haneke, 1997)+ Piet\u00e0 (Miguel \u00c1ngel, 1498-1499)+ Funny Games U.S (Michael Haneke, 2007). Sobre el autor: Juli\u00e1n Pacomio &#8211; M\u00e9rida (Badajoz), 1986. Licenciado en Bellas Artes por la Universidad de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6199,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[199,102,302,87,92,301,228],"class_list":["post-6198","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video-experimental","tag-espana","tag-extremadura","tag-julian-pacomio","tag-labolsa","tag-merida","tag-michael-haneke","tag-video-experimental","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2016\/12\/609072273_295x166.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1BY","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=6198"}],"version-history":[{"count":1,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6198\/revisions"}],"predecessor-version":[{"id":6200,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6198\/revisions\/6200"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/6199"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=6198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=6198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=6198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}