{"id":6306,"date":"2017-04-09T12:40:51","date_gmt":"2017-04-09T10:40:51","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=6306"},"modified":"2017-04-09T12:40:51","modified_gmt":"2017-04-09T10:40:51","slug":"sonata-belen-cueto","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2017\/04\/09\/sonata-belen-cueto\/","title":{"rendered":"SONATA &#8211; Bel\u00e9n Cueto"},"content":{"rendered":"<p><strong>SONATA<\/strong> &#8211; Interpretaci\u00f3n de una partitura (Fragmentos) de Bartolom\u00e9 Ferrando para el encuentro EXCHANGE- 2013, en el Museo Vostell de Malpartida (C\u00e1ceres). Un concierto Fluxus colectivo en el emblem\u00e1tico Museo dedicado al arte FLUXUS.<\/p>\n<p><strong>Sobre la autora:<\/strong><\/p>\n<p><span style=\"font-family: Arial,serif;\"><span style=\"font-size: medium;\">Bel\u00e9n Cueto (Madrid, 1971) se infiltra en la vida cotidiana tomando sus h\u00e1bitos m\u00e1s rutinarios como herramientas e intentando revisar tendencias vitales para cuestionar la inercia que nos lleva a repetir modelos que no nos satisfacen.<\/span><\/span><\/p>\n<p><span style=\"font-family: Arial,serif;\"><span style=\"font-size: medium;\">Habitualmente trabaja tanto a nivel individual como colectivo, habiendo formado parte de experiencias creativas como el grupo de creaci\u00f3n experimental Circo Interior Bruto (1999\/05). Desde 1996 hasta la actualidad, sus trabajos se han integrado en propuestas como: De Fijo a M\u00f3vil, Contenedores Muestra Internacional de Arte de Acci\u00f3n de Sevilla,Veranos Esc\u00e9nicos de La Casa Encendida, Do it your self, Festival Internacional de Arte INTERAKCJE de Polonia, Acci\u00f3n! 08MAD, Bienal Internacional de Tur\u00edn, Encuentro Bienal de Lanzarote, Dentro Fuera, La Revista Caminada, Matadero Madrid y Festival NewArt Contact, Finlandia, entre otros muchos.<\/span><\/span><\/p>\n<p><a href=\"http:\/\/www.belencueto.blogspot.com.es\"><span style=\"font-family: Arial,serif;\"><span style=\"font-size: medium;\">www.belencueto.blogspot.com.es<\/span><\/span><\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SONATA &#8211; Interpretaci\u00f3n de una partitura (Fragmentos) de Bartolom\u00e9 Ferrando para el encuentro EXCHANGE- 2013, en el Museo Vostell de Malpartida (C\u00e1ceres). Un concierto Fluxus colectivo en el emblem\u00e1tico Museo dedicado al arte FLUXUS. Sobre la autora: Bel\u00e9n Cueto (Madrid, 1971) se infiltra en la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6307,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[5],"tags":[127,341,344,343,345,102,264,251,187],"class_list":["post-6306","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documento-accion","tag-arte-accion","tag-bartolome-ferrando","tag-belen-cueto","tag-concierto-fluxus","tag-exchange","tag-extremadura","tag-live-art","tag-museo-vostell","tag-performance-art","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2017\/04\/627506570_295x166.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1DI","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=6306"}],"version-history":[{"count":1,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6306\/revisions"}],"predecessor-version":[{"id":6308,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6306\/revisions\/6308"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/6307"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=6306"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=6306"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=6306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}