{"id":6378,"date":"2017-09-25T12:32:36","date_gmt":"2017-09-25T10:32:36","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=6378"},"modified":"2017-09-25T12:32:36","modified_gmt":"2017-09-25T10:32:36","slug":"eternotevere-extracto-juan-zamora","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2017\/09\/25\/eternotevere-extracto-juan-zamora\/","title":{"rendered":"ETERNOT\u00c9VERE (Extracto) &#8211; Juan Zamora"},"content":{"rendered":"<p>Tomando agua de la desembocadura (En Ostia) del r\u00edo T\u00e9vere para verterla sobre su nacimiento (en el monte Fumaiolo).<\/p>\n<p>Video en bucle.Realizado durante el periodo de residencia en La Real Academia de Espa\u00f1a en Roma, 2016.<\/p>\n<p><strong>Sobre el autor: <\/strong>Juan Zamora (Madrid -1982)<\/p>\n<p>\u00abMi trabajo es un estudio sobre la vida y sus procesos desde la pr\u00e1ctica art\u00edstica\u00bb.<\/p>\n<p>Links: <a href=\"http:\/\/www.juanzamora.com\">www.juanzamora.com<\/a><\/p>\n<p>Vimeo: <a href=\"https:\/\/vimeo.com\/juanzamora\">https:\/\/vimeo.com\/juanzamora<\/a><\/p>\n<p>Premio Generaciones: <a href=\"https:\/\/vimeo.com\/159771291\">https:\/\/vimeo.com\/159771291<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tomando agua de la desembocadura (En Ostia) del r\u00edo T\u00e9vere para verterla sobre su nacimiento (en el monte Fumaiolo). Video en bucle.Realizado durante el periodo de residencia en La Real Academia de Espa\u00f1a en Roma, 2016. Sobre el autor: Juan Zamora (Madrid -1982) \u00abMi trabajo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6379,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[5],"tags":[127,95,377,245,285],"class_list":["post-6378","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documento-accion","tag-arte-accion","tag-arte-experimental","tag-eternotevere","tag-juan-zamora","tag-videoarte","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2017\/09\/656359256_960.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1ES","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6378","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=6378"}],"version-history":[{"count":1,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6378\/revisions"}],"predecessor-version":[{"id":6380,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6378\/revisions\/6380"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/6379"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=6378"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=6378"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=6378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}