{"id":6448,"date":"2018-01-31T10:06:05","date_gmt":"2018-01-31T09:06:05","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=6448"},"modified":"2018-01-31T10:06:05","modified_gmt":"2018-01-31T09:06:05","slug":"25-fps-festival-hasta-31052018","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2018\/01\/31\/25-fps-festival-hasta-31052018\/","title":{"rendered":"25 FPS Festival &#8211; Hasta 31\/05\/2018"},"content":{"rendered":"<p>25 FPS Festival promotes and screens film types and genres that cross and broaden the notion of film as art, innovative explorations of cinematic language, narration and medium.\u00a0Festival is open to expressive original concepts, progresses in terms of theme, idea and aesthetics, as well as works that perpetuate the tradition of avant-garde and experimental film.<\/p>\n<p>25 FPS Festival 14th edition is looking for entries and last date for application is <strong>May 31 2018<\/strong>.<\/p>\n<p>Entry form as well as regulations are available <a href=\"https:\/\/www.25fps.hr\/en\/entry-form\">online<\/a>, and for all additional questions regarding film entries write to<a href=\"http:\/\/submissions@25fps.hr\">\u00a0submissions@25fps.hr<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>25 FPS Festival promotes and screens film types and genres that cross and broaden the notion of film as art, innovative explorations of cinematic language, narration and medium.\u00a0Festival is open to expressive original concepts, progresses in terms of theme, idea and aesthetics, as well as [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6449,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[119],"tags":[],"class_list":["post-6448","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festivales_concursos"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2018\/01\/25FPS_logo.png","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1G0","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6448","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=6448"}],"version-history":[{"count":1,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6448\/revisions"}],"predecessor-version":[{"id":6450,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6448\/revisions\/6450"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/6449"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=6448"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=6448"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=6448"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}