{"id":6547,"date":"2018-12-23T20:16:53","date_gmt":"2018-12-23T19:16:53","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=6547"},"modified":"2018-12-23T20:16:53","modified_gmt":"2018-12-23T19:16:53","slug":"labolsa-en-la-aventura-del-saber-tve-juan-alcon","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2018\/12\/23\/labolsa-en-la-aventura-del-saber-tve-juan-alcon\/","title":{"rendered":"LABOLSA en La Aventura del Saber-TVE: Juan Alc\u00f3n"},"content":{"rendered":"<p><span class=\"st\">UAN ALC\u00d3N ALEGRE -ANJ\u00fa- Madrid,1959.<\/span><\/p>\n<p>Artista que trabaja en la fusi\u00f3n y experimentaci\u00f3n de lenguajes art\u00edsticos en diferentes g\u00e9neros audiovisuales: Videocreaci\u00f3n, videoinstalaci\u00f3n, cine experimental, proyectos colaborativos\u2026<span lang=\"es\">Su inter\u00e9s por la integraci\u00f3n entre arte y tecnolog\u00eda lo lleva a trabajar como profesor de Medios audiovisuales y en 1998 crea el proyecto ANJ\u00fa como plataforma para su trabajo en video y poes\u00eda visual.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>UAN ALC\u00d3N ALEGRE -ANJ\u00fa- Madrid,1959. Artista que trabaja en la fusi\u00f3n y experimentaci\u00f3n de lenguajes art\u00edsticos en diferentes g\u00e9neros audiovisuales: Videocreaci\u00f3n, videoinstalaci\u00f3n, cine experimental, proyectos colaborativos\u2026Su inter\u00e9s por la integraci\u00f3n entre arte y tecnolog\u00eda lo lleva a trabajar como profesor de Medios audiovisuales y en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6037,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[425],"tags":[103,197,96,87,85,76,285],"class_list":["post-6547","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-miniespacios_labolsa_tve2","tag-animacion-experimental","tag-audovisual-creation","tag-juan-alcon","tag-labolsa","tag-madrid","tag-video-creacion","tag-videoarte","wpz-has-embed-code"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2016\/12\/607220972_640.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1HB","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=6547"}],"version-history":[{"count":1,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6547\/revisions"}],"predecessor-version":[{"id":6548,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6547\/revisions\/6548"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/6037"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=6547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=6547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=6547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}