{"id":6698,"date":"2020-06-19T19:36:28","date_gmt":"2020-06-19T17:36:28","guid":{"rendered":"http:\/\/revistalabolsa.com\/?p=6698"},"modified":"2020-06-19T19:54:27","modified_gmt":"2020-06-19T17:54:27","slug":"labolsa-en-la-aventura-del-saber-tve-isabel-leon","status":"publish","type":"post","link":"https:\/\/revistalabolsa.com\/index.php\/2020\/06\/19\/labolsa-en-la-aventura-del-saber-tve-isabel-leon\/","title":{"rendered":"LABOLSA en La Aventura del Saber-TVE: Isabel Le\u00f3n"},"content":{"rendered":"\n<div style=\"width:100%;padding-top:64%;position:relative;border-bottom:1px solid #aaa;display:inline-block;background:#eee;background:rgba(255,255,255,0.9);\">\n    <iframe src=\"https:\/\/secure-embed.rtve.es\/drmn\/embed\/video\/5599907\" name=\"La Bolsa: Isabel Le\u00f3n\" style=\"width:100%;height:90%;position:absolute;left:0;top:0;overflow:hidden;border:none;background-color:transparent;\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe>\n    <div style=\"position:absolute;bottom:0;left:0;font-family:arial,helvetica,sans-serif;font-size:12px;line-height:1.833;display:inline-block;padding:5px 0 5px 10px;\">\n        <span style=\"float:left;margin-right:10px;\">\n        \t<img decoding=\"async\" style=\"height:20px;width:auto;background: transparent;padding:0;margin:0;\" src=\"https:\/\/img2.rtve.es\/css\/rtve.commons\/rtve.header.footer\/i\/logoRTVEes.png\" alt=\"\">\n        <\/span>\n       \t<a style=\"color:#333;font-weight:bold;\" title=\"La Bolsa: Isabel Le\u00f3n\" href=\"https:\/\/www.rtve.es\/alacarta\/videos\/la-aventura-del-saber\/aventura-del-saber-bolsa-isabel-leon\/5599907\/\">\n            <strong>La Bolsa: Isabel Le\u00f3n<\/strong>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n\n<p>  -Artista visual, dinamizadora cultural independiente y docente. Su obra ha evolucionado desde la fotograf\u00eda y el v\u00eddeo al arte de acci\u00f3n, pr\u00e1ctica a la que se dedica desde el 2007 casi de manera exclusiva, participando numerosos festivales, encuentros de arte de acci\u00f3n y residencias, tanto en Espa\u00f1a (Madrid, Valencia, Salamanca, C\u00e1ceres, Girona o Granada\u2026) como en el extranjero (Canad\u00e1, Alemania, Finlandia, Noruega, Marruecos o Ucrania).\u00a0<\/p>\n\n\n\n<p>Su pasi\u00f3n por la performance le\nempuja a co-coordinar el proyecto EXCHANGE Live Art junto a la artista Ana\nMatey, en el que investigan sobre la Comunicaci\u00f3n, tomando el arte de acci\u00f3n\ncomo principal herramienta y tema, y con el que realizan residencias,\nlaboratorios y encuentros. Combina su pr\u00e1ctica art\u00edstica con la docencia,\nimpartiendo talleres y coordinando grupos de trabajo en diferentes contextos e\ninstituciones como centros de arte, universidades y espacios independientes.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.isabelleon.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.isabelleon.com<\/a><\/p>\n\n\n\n<p><a href=\"http:\/\/www.exchangeliveart.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.exchangeliveart.com<\/a><\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"http:\/\/www.vimeo.com\/isabelleon\" target=\"_blank\">www.vimeo.com\/isabelleon<\/a><\/p>\n\n\n","protected":false},"excerpt":{"rendered":"<p>La Bolsa: Isabel Le\u00f3n -Artista visual, dinamizadora cultural independiente y docente. Su obra ha evolucionado desde la fotograf\u00eda y el v\u00eddeo al arte de acci\u00f3n, pr\u00e1ctica a la que se dedica desde el 2007 casi de manera exclusiva, participando numerosos festivales, encuentros de arte de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6701,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[425],"tags":[455,456,283,192,414],"class_list":["post-6698","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-miniespacios_labolsa_tve2","tag-455","tag-dos-palabras","tag-isabel-leon","tag-revistalabolsa","tag-videoperformance"],"jetpack_featured_media_url":"https:\/\/revistalabolsa.com\/wp-content\/uploads\/2020\/06\/911576358_960.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p87Up8-1K2","_links":{"self":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6698","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/comments?post=6698"}],"version-history":[{"count":4,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6698\/revisions"}],"predecessor-version":[{"id":6707,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/posts\/6698\/revisions\/6707"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media\/6701"}],"wp:attachment":[{"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/media?parent=6698"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/categories?post=6698"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistalabolsa.com\/index.php\/wp-json\/wp\/v2\/tags?post=6698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}